Thursday, October 13, 2016

Another Wristlet

After seeing some woven fabric projects pop up on Instagram, I wanted to try it for myself. I ordered a package of two Wefty needles.

Then I decided what I wanted to make - my favorite wristlet: The Essential Wristlet.

First I cut lots of skinny strips on the cross-grain of my fabric. I ran them through my 1/2" bias tape maker to fold both raw edges to the center. After positioning a piece of fusible interfacing, fusible side up, to my ironing table, I pinned the strips, fold side down on top of the interfacing.

The next step was to make more strips with a second fabric - a small print - and use the small-sized Wefty needle to weave those strips through at a 30-degree angle. The pattern is Tumbling Blocks, and I followed this YouTube video.

The last diagonal weave was a solid orange fabric, woven at the opposite 30-degree angle.

Also, here's a nice tutorial of it by MisterDomestic who recently hosted a weave-along.

Anyway, I ended up sewing my newly created woven fabric into this. Admittedly, it was a little tricky putting that side zipper in the fabric, given that the weaving makes it extra thick. But, that thickness sure gives the wristlet a nice sturdiness.

Also on the outside I added to the opposite side of the wristlet a vinyl rectangle, edged with fabric strips. It's not included in the pattern, but is the ideal place to put my resident ID.

Happily, I had this cute zipper tab in my stash - from an Etsy order placed for an assortment of zipper tabs. Living as I do without a quilt shop nearby, it's most convenient to keep these kinds of supplies on hand.

Inside the wristlet I used one of my favorite texty-type prints, and added another inside zipper. The wristlet pattern does include the open pocket (seen at the bottom of this picture) for a cell phone, but the pattern doesn't include the zipper pocket. I find that pocket a necessity for valuables like a few dollars cash and driver's license.

This wristlet is the perfect size for my necessities: iPhone, ID, tissues, a pen, lip gloss, the garage remote and golf cart key, and a few dollars. Who needs more than that?

This is the fourth time I've made this wristlet, and I'm completely satisfied with every iteration of it. Linda

Edited to add: I'm linking this post to "Bag It 2016" being hosted by Elm Street Quilts.

Friday, October 7, 2016

Hurricane Matthew

Due to predictions of potentially disastrous conditions in Central Florida, two days ago the Lifelong Learning College cancelled all Friday classes (all Sumter County schools cancelled as well), including my Quilting With a Quilting Foot workshop scheduled for 9-3 today.

To complicate rescheduling, is the fact that the Quilting With a Walking Foot workshop is a prerequisite workshop for Quilting With a Quilting Foot scheduled for October 21. So, instead of just rescheduling the Walking Foot workshop, I've had to reschedule the Quilting Foot workshop too! I will not be one bit surprised to learn that due to scheduling conflicts, I lose students in both classes.

If you're local and want to register, workshop dates and times are as follows:
  • Friday, October 21, 9-3 - Quilting With a Walking Foot
  • Friday, November 11, 9-3 - Quilting With a Quilting Foot

So Hurricane Matthew turned out to be no worse for Central Florida than several of the tropical storms that have stalled in our area.

With the rec centers all closed, and grocery stores bereft of food, Dan and I found ourselves with a whole day of nothing special to do. Into week three of the Beth Moore "Entrusted" study, I did my daily Bible homework, some laundry, and kept up with hurricane news, including the evacuation of Savannah, George. I can't help but think of next February's Quiltcon East which will be there.

And I'm quilting. This one will be done today.

Lately, I've been shopping at several flooring stores, looking for something to replace the original, builder's low-grade carpeting in the three bedrooms. In particular, my sewing room carpeting is looking very dirty and worn. After entertaining several flooring options that would look nice with the ceramic tile in the rest of the house, we've settled on this laminate by Mohawk. 
Entry into sewing room - See the filthy carpet?
It's Quick-Step flooring in "aged chestnut." I especially like the looks of it with our white furniture. We'll be topsy-turvy for two days in November, while this is being done - including having carpeting removed from the master bedroom closet and replaced with tile to match the bathroom - but it's gonna look so good when it's done. 

Now I'm wondering how my two rolling sewing chairs will be on the laminate. Don't I need a couple sewing room rugs? What would you do? Linda

Tuesday, October 4, 2016

Beyond First Time Quiltmaking, Quilting, and Dancing!

On Monday, October 3, 11 students (one wasn't available for the photo) and I completed two weeks of foundation paper piecing through the Lifelong Learning College. It was a treat to teach such enthusiast students! In the first week they learned to foundation paper piece using the "Cartwheels Quilt" pattern by FreshlyPieced, and in the second week they learned to string-piece fabric strips onto telephone book pages. Samples of both blocks are in the photo.

Overachiever Cindy completed her Cartwheels Quilt top by the second class. I was tickled to recognize a few of my fabrics in it which she'd bought from my garage sale table sponsored by Quilting Guild of The Villages. She made those scrappy prints look smashing on her background of solid orange. 

Being in the midst of a big makeover of her master bathroom, Cindy shared that she's been referring to this quilt as her Home Depot quilt. That orange. Too funny.

I keep quilting my Bay Area Modern block-of-the-month quilt. It sorta seems never-ending, but that's because I don't work on it often. Lately I've been quilting the background which is lots of "Cs," as in the letter C. They look bubble-ish.

Sunday evening, October 2, was a Line Dance Social. These are held at about quarterly intervals throughout the year. A line dance instructor reserves the big room at a rec center, and then for three hours leads dancers through about fifty line dances while everyone nibbles food, chats, and dances as they choose. 

I wanted to participate in all Helen's line dances because: 1) I attend her classes and know all the dances she teaches; and 2) I wanted to test my legs. Two weeks ago my cardio-vascular doc, Dr. Q. told me that after testing it appears that blood flow through my femoral arteries is as near to "normal" as it has been in three years (What good news to finally hear!) I determined to push myself to dance every dance during the three hours. I did! That was 48 line dances! After starting the evening with about 80 dancers, 10 of us stuck it out to the end. Admittedly my legs ached, but the feeling was definitely from tiredness, not from pain. A big yay and praise God!

Just so you know that line dancing isn't always about country (as I imagined before I started doing it), here is a video clip from early in the evening. Most of the dancing we do is to modern music, with the occasional oldie or waltz.

If you note that there's a lot of pink, there was. Helen invited us to dress in recognition of Breast Cancer Awareness month - a month that became significant to me in 2013. Related to my own invasive ductal carcinoma, the cancer is in remission, and I continue to take daily Arimidex as a five-year course of treatment.

Life is good! Linda

Monday, October 3, 2016

Luxe Fabric Challenge

I spend nearly all my free time in sewing room. So post-webinar found me returning to several projects that are mid-stream.

For a few weeks now, I've been trying to come up with a design using the Michael Miller Luxe fabrics for the 2017 QuiltCon Challenge. The fabric is nice, with a polished look to the surface, but I wasn't thrilled about receiving the gray colorway which is a duller gray than I like. However, it being a challenge, and with any other Luxe fabrics permitted as well as one Michael Miller Cotton Couture solid, I decided to work with what I have. Mostly.

Thanks to my dear Iowa friend, Deb, I had a gift certificate (from my birthday in March!) to Hawthorne Threads that came in handy for bolstering my Michael Miller solids stash. I picked half-yard cuts of these Cotton Couture solids as possibilities to pair with Luxe. And while I was at it, I also got a Cotton Couture color card. Now the owner of solid color cards from American Made Brand, Kaufman Kona, and Michael Miller Cotton Couture, you might guess that I'm getting into solids.

The solid Lime contrasted best with Luxe, so I began cutting, using the shapes within the Luxe print as a guide. By the time I reached this point, I was scratching my head. All the Luxe was cut up. Where this was going?

My neighbor and modern quilty friend, Becky, also received the Luxe gray colorway. When she decided that her design idea wasn't working, and offered her fabric to me, I quickly accepted. Adding on, I came up with this. Nope. That's not it yet.

I am still arranging shapes, trying to find a pleasing arrangement. I haven't found "pleasing" yet, but once I do, I'll hand-appliqué the shapes onto the quilt. At 36" X 36" this shouldn't take too long, and I'm thinking that after FMQing it I'll add some colorful hand big stitch quilting. Should be doable by the end of November deadline.

Improv it is. Certainly a departure from my usual predilection for "safe" designs.

This afternoon I'm teaching the second three hour class (of two classes) for foundation paper piecing. I have 11 students and all but one of them have already taken a class from me. It's like meeting up with friends I haven't seen for a while. I'm loving every minute of it!

And this coming Friday, October 7, I'm teaching an all day (9-3) workshop: "Quilting With a Walking Foot." If you're in Central Florida (near Ocala, Lady Lake, or Leesburg) and interested, go here for more info. Linda

Friday, September 30, 2016

Binding Webinar Follow-up

So this happened last night.

From my sewing room, to the world, I presented my binding webinar. It was pretty exciting! I mean really... from my little sewing room in Florida to all over the US, and other countries?!  I shared "No Tails Binding: Mitered Corner by Machine." Goodness. It's a lot to get my head around that the MQG had 600 registrants for this! Granted, I don't know how many MQGers actually showed up for the live broadcast, but I was pretty pumped about it.

MQG members can go here to watch the 1 hour and five minute webinar. This means that if you're not MQG member, you should join (an individual membership is just $25 a year; or join our local Central Florida MQG chapter for $40 a year) and have access to all the webinars! What a great benefit of MQG membership! I've attended at least six webinars and all of them have been worthwhile.

I'll admit to a little nervousness before getting started, but knowing my subject matter as I do, once I got into it I didn't think about anything else. The many detail photos were well-received and during the Q&A I heard some interesting questions, particularly related to this chart. 

For those of you who aren't familiar with this binding method you should know that the quilt batting and backing are trimmed away after the binding has been sewn to the quilt. My chart shows how much batting and backing to trim away, and how much finished binding will show on the quilt front and back. 

Apparently this chart raised more questions than I was able to answer on the spot. Basically, those who asked wanted to know how I arrived at these numbers. My methodology is this:
  • Know the cut width of binding
  • Divide it by 2 to allow for folded binding
  • Subtract 1/4" for a seam allowance
  • Divide it by 2 to determine how far from the stitching line your quilt should be trimmed
  • If the binding is fully stuffed and sewn by hand, it will puff out. 

So, for binding that's cut 2-1/4" wide:
  • 2-1/4"
  • divided by 2 is 1-1/8"
  • subtracting 1/4" for the seam allowance equals 7/8"
  • divided by 2 equals 7/16" - cut 3/8" from the stitching line
  • Fully stuffed binding shows about 1/2" on the quilt front and quilt back.
And for binding that's cut 2-1/2" wide:
  • 2-1/2"
  • divided by 2 is 1-1/4"
  • subtracting 1/4" for the seam allowance equals 1"
  • divided by 2 equals 1/2" - cut 1/2" from the stitching line
  • Fully stuffed binding shows about 5/8" on the quilt front and quilt back.
    I hope this helps clarify how I came up with these numbers.

    A huge thank you to friends locally and far away (Australia) who took the time from a busy schedule to attend in real time. I know which of you were "out there," and I deeply appreciate your support. Squeezy hugs from me. You're my treasure. 

    Now back to regularly scheduled sewing! Linda

    Tuesday, September 20, 2016

    Florida Quilt

    Timing is everything...

    I'm happily writing this post to coincide with the 2016 Blogger's Quilt Festival hosted by Amy's Creative Side and my entry - Florida - into the Home Machine Quilted category. Though to be honest, it was tough choosing the right category for Florida, which also fits Small Quilts, Modern Quilts, and Original Design.

    So... presenting Florida. It measures 39" wide by 38" high and is made with lots of 1-1/2" X 1-1/2" solid fabric half-square triangles, and an ocean background of Grunge Ocean.

    I domestic machine quilted Florida on my Janome 1600P using 50-weight Aurifil on the top and in the bobbin. The top color was aqua #5005, and the bobbin was light blue #2805.
    Swirly quilting includes designs of snail trails, "C's", paisleys, bubbles, and swooping lines to get the effect of a tumultuous ocean.

    While the quilting went along quickly, what I didn't enjoy was that by starting the free motion quilting in the middle, along the Gulf side of the land, I worked in a tuck as I quilted to the west, and then to the north toward the peninsula. Darn. Right away I unstitched quite a bit.
    iPhone photo - Look how blue the water looks!
    Then I straight-pinned the sandwich and quilted from the peninsula toward the south, working out the extra fullness. By now I should know that double-batting makes shifting more likely, and that I must be extra careful about where I begin quilting, no matter how many safety pins I use to keep the layers from shifting.
    Canon Powershot S100 photo - This is the truer Grunge Ocean color.
    All that unquilting made for lots of starts and stops to fill back in what I'd just taken out. That meant lots of thread-burying. It's an easier task when I use a Sench needle. I've recently starting using this needle which has a little slot along the side of the eye, for slipping thread up, then down into position. I'm a big fan. Sench needles are available from this Etsy Shop - DragonflyQuiltworks, here.

    When the quilting was done I made single-fold binding, and applied it as usual by first marking a straight line around the perimeter of the quilt, machine sewing the binding aligned with the marked line, machine-sewing the four corners, trimming the excess batting and backing, and then turning under a quarter-inch fold and hand-sewing it into place.

    This is a good time for me to mention again that I'm teaching this binding technique in a Modern Quilt Guild Webinar on Thursday, September 29 at 9 pm Eastern time. If you're an MQG member, you can register for free. Go here to do that, if you haven't already. Gosh, I'm getting crazy-excited about this presentation! Like chill bumps-producing excited.

    But the rest of the story about that Florida quilt...

    It still wasn't quite on-the-square after adding binding, so I pinned it onto carpeting, measuring the length and width to make each side even, and measuring diagonally across the back to make sure those two numbers were the same. Then I sprayed water on the quilt back - the cotton batting layer is on the bottom (wool batting is on top) - and patted it into shape. After drying, it's more squared-up, but about 1/8" off. I'm not sure I can do much else short of soaking the quilt and reblocking it.

    How about that backing? Isn't it too perfect?

    A special hello and thanks to first-time visitors to my blog. I appreciate your visit too! Linda


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