My design wall is full of bits and parts that I'm trying to work into a cohesive arrangement. Maria Shell calls this step "glom-ing" - when it's time to making bit interact with one another another. It's been looking like quite a mess!
Though I've been satisfied with how each of the Old Italian blocks came together...
...and as a group, they look cohesive enough.
But putting bits together has been very challenging. I think I've met my match! But I'll keep going.
It's been discouraging to see how many scraps I've generated through this process. When possible, I'm using trimmed pieces to create new fabric, but as the trimmings get smaller, they've become less usable.
I've now added all of my October fabric purchases to my stash - 96 yards of Painter's Palette solids. After I washing and drying each piece, I wrote the color name in the selvage.
Then, I did an overhaul of my storage cabinet. These shelves contain only solids that are ½ yard or more.
I find that after several hours of sewing, by evening I'm ready for handwork. This flex case, from Aneela Hoey's book Stitch and Sew has been a fun finish.
The story is about Oliver, a scientist who studies whales; Jane, his speech therapist wife; and Rebecca, their beautiful 15 year-old daughter who is wise beyond her years. After an argument with Oliver, Jane and Rebecca leave California and embark on a cross-country drive toward Massachusetts where Jane's brother Joley works in an apple orchard. Their experiences during their travels - including a stop in What Cheer, Iowa, to visit a cornfield that was the site of a 1978 plane crash - along with Oliver's introspection as he drives in pursuit, are the point of the story.
What I did not enjoy is the author's story format - jumping from present day to the past, to the future, and back to recent past. Specifically, one scene - Jane meeting Sam when he's shearing a sheep, is repeated three times from the perspectives of each of the three people present. Maybe it's me, but I found it difficult to keep track of when I was listening, and who was telling the story.
Linda's score: 2.8/5.0
Well, this is where I ended today's piecing. It's 46" X 71", so it definitely needs to be made wider. I'll be considering options... perhaps more X's, or perpendicular short strips.
I like where you have ended up with your pieces, very effective so far! And yes, I've just finished another of Jodi P's books and it jumped all over the place too. The whale book does say on the review I just read though - a novel in five voices.
ReplyDeleteI like your bits and pieces too - sometimes it takes time to figure it all out. Looking good tho!
ReplyDeleteYou're doing a great job of bringing all your parts together into a visually exciting quilt. Keep going. Good luck dealing with all the leftover bits too.
ReplyDeleteGood progress. The challenge of figuring out what to do next can be fun.
ReplyDeleteOkay, I am now worn out just looking at all you've accomplished! What a great job on your improv project. It's coming along wonderfully. Your new fabrics look so nice and tidy and happy. Your blog is eye candy and you are inspiring. I am plodding along with lots of different things and don't have anything completed, YET. Thanks for sharing.
ReplyDeleteWow!! You've got SEW many solid scraps, Linda!!!
ReplyDeleteThis is a challenge for sure. But the strength of the Old Italian blocks can really carry the bits and pieces I'm thinking. It's going to be a stand-out!
ReplyDeleteWow, wow, wow! Those Old Italian blocks are gorgeous! This will be beautiful - it is already!
ReplyDeleteI absolutely LOVE the Italian blocks Linda!
ReplyDeleteYou have really taken off with this improv piecing! As for books, I'm not able to read much that is in any way serious at the moment. Give me murder mysteries and Regency romances in the time of COVID!
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