Sunday, July 10, 2011

Snowflake in July

"Snowflake Medallion" measures 77" X 77". I couldn't get the whole thing in a photo, even with the help of my outdoor umbrella clothesline, but here are a few pictures.
"Snowflake Medallion" designed by Emma Jansen, Ballarat Patchwork, Australia
hand appliqued, domestic machine quilted




The quilt is labeled and tucked into a pillowcase until July 30, when I will deliver it (and two other quilts - "Life is a Celebration" and "Supernova") to the Iowa State Fair for judging. Entrants expect lots of competition in the "Fabric and Threads" department that not only includes quilts - several hundred of them - but knitting, crocheting, rug hooking, embroidery, counted cross-stitch, hardanger, needlepoint, bobbin lace making, garments and the like. For me the most fun of it all is free admission to "Preview Night" on Wednesday, August 10, the evening before the fair officially opens. That's when all the entries are displayed, with and without ribbons affixed. I'm trying to keep my expectations low.

In any case, I do like my snowflake... it doesn't melt. Linda

Thursday, July 7, 2011

Binding Snowflake Medallion

Every time I look at a binding tutorial, either on quilters' blogs, or on Youtube, they're pretty much all doing it the same way - one continuous strip that's folded at each corner. Those mitered corners take some practice to make them come out square. There's an easier way.

Some of you have previously read my blog posts about my preferred binding method which is to machine sew those mitered corners, perfectly. For a complete tutorial, either click on the "Nine Quilt-y Tutorials" tab above, or go here.

When I considered how to put binding on this particular quilt, Snowflake Medallion, I knew I wanted it to be as perfect as I can make it. I'm entering it in our Iowa State Fair, August 11-21, and I've heard award-winning quilters say that judges really inspect the binding. So, after watching a Youtube binding video by award-winning quilter Sharon Schamber, I applied a couple of her tricks.

First, I starched my binding. I like to make homemade starch which is much less expensive than the aerosol type, and handy because I have a long-lasting jug of Sta-flo liquid starch. I follow a recipe offered by Mark Lipinski (see that recipe toward the bottom of my blog menu bar). I fill a spray bottle for use at my ironing table, and store the extra in the refrigerator.

Starch the binding between the folded layers so they stick together during handling.

I measured across the quilt. Adding 6" to that measurement, I cut two binding strips this length. (This is where the binding method begins to be different than the common method.)

Notice that I trimmed off the excess batting and backing before binding the quilt. My friends know that I prefer (and teach) to leave on the backing and batting until after the binding is sewn on.

I put a light bead of Elmer's School Glue along the edge of the quilt. Edited to add: Australians can find Elmer's School Glue at Officeworks.

Then I pressed to adhere the binding to the quilt. As Sharon Schamber states in her video, Elmer's School Glue is much like a very thick starch. I would agree. I liked that I didn't need to use pins to hold the binding in place while I sewed it to the quilt.

I glued, pressed and sewed to attach two separate binding strips to two opposite sides of the quilt. From the back, you can see that the sewing stops 1/4" from the edge of the quilt.

Then, I measured the quilt top again and cut two more binding strips to sew to the remaining opposite sides.

After sewing all four strips to the sides of the quilt, each corner looks just like this. You can see how the stitching just meets 1/4" from the quilt edges. Next I'll sew those two tails together with a mitered corner.

The quilt is folded at a 45-degree angle aligning the binding tails.

Using a Clover marking pen (white on purple fabric) I drew a 45-degree angle that marks where I need to sew.

Sewed and trimmed.


Turned inside out. Voila! It's the perfectly sewn mitered corner. 

Once you know how to draw and sew one mitered corner, repeating that three more times is easy. Please refer to the tutorial for a complete explanation.

I used a blind stitch to "applique" the binding to the quilt back. I say applique because I've heard that to make the judges happy, hand stitches need to be close together. Mine are 1/4" to 3/8" apart.

Now I'll add quilted "beads" (circles) to the 1"-wide outside border. I could have done that earlier, but I was concerned that my quilting would land under the binding. Then, it will make me happy! I'll be finished with this project.

If you try binding this way - sewing binding strips to your quilt, and then machine sewing mitered corners - please let me know. I'd love to hear how it goes. Linda

Monday, July 4, 2011

Patriotic Quilts

One of my favorite aspects of technology is getting to meet so many people, and often becoming friends. In 1995 when Internet technology was still new, through an quilting chat group called "Kaffee Klatch" I was fortunate to make friends with "Quiltsundmehr" Edith, a lovely quilter from Switzerland. After several years of swapping emails, we met in person in 2000, and since then have been together on three occasions, both here and in Switzerland.

In 1997-1998 row quilts were newly popular, so we decided to swap rows with a patriotic theme. On this occasion of our country's 235th birthday, here are a few pictures our

P
atriotic Quilts
The scanned photo is of both quilts, hung together at the 1998 Des Moines Area Quilters Guild quilt show. 

The following pictures are of my quilt. Somewhat hidden at the top is my hand-appliqued row of Celtic bars and knots with firecrackers between the knots. You can't miss Edith's row with Swiss flags, and the Alps. She made the mountains, complete with a Swiss cottage, from a tablecloth!

Further down is Edith's row of bank buildings (Get it? Swiss banks.) Each building has "bank" embroidered above the door. My Iowa-themed row is ears of corn, and hogs.
We each chose a "favorite block" (at the time!) row. I made her favorite, Ohio Star. She made my favorite, Burgoyne Surrounded.

The bottom row is edelweiss blocks that Edith thread painted. Sad to say, she made this row two times because the first one was lost in the mail.

We named our quilts "Red and White Over the Blue," with each of us writing that and "A quilting friendship between two continents," in English and German, on blocks for one another's quilts.

Thanks for your friendship, Edith, and this wonderful keepsake.

And to everyone... 

 

Happy Independence Day!

Linda

Friday, July 1, 2011

How often do you see this?

Have you ever seen this?

A barn being moved? Never!

This old brick barn, built in the late 1800's, is moving. In these pictures, it was already lifted off its foundation onto a huge bed, and rolled across a grassy area in anticipation of hitting the road - literally - at 11 p.m. Wednesday night. The moving company had until 6 a.m. Thursday morning to relocate it to a site a little more than two miles away.

The barn has been on the property of Valley High School, where the vacated space will become a new parking lot.

New parking space is needed at the 2,200-student high school (grades 10, 11, and 12) because a parking lot currently on the west side of the school is the site of an addition to the school.

No one wanted to see the old structure destroyed. It sold for $1 to Valley Evangelical Free Church that has plans renovate it.

On the opposite side of the street from the barn site, the farmhouse remains. It's for sale. Nestled in the trees, it looks classically dignified among its more contemporary neighbors that were built in the late 1970's.

The site of our own home is land that was once part of the same farm. When we moved to this area 22 years ago (come August), we couldn't have imagined the development and changes we've seen. It's nice knowing this historical barn will continue to live on.

Here's a link to the nighttime, time-lapsed video of the barn being moved along West Des Moines streets.

Linda

Wednesday, June 29, 2011

Blocking

When I am finishing a quilt, I don't always take time to block it. But when I've spent as much time on a quilt as I have this one - with at least 80 hours of quilting - I'm much more careful about getting it squared up, "just so." Blocking a quilt is an extra step I think is worthwhile.

If you've never blocked a quilt before, it really isn't difficult. It just takes a little time. By the way, I blocked this quilt before sewing binding to it. Machine baste along the edges of the quilt sandwich to hold it all together during washing.

Oh, and I also need to say that every fabric in this quilt has already been washed. I've been a pre-washer since the early 80s. I know that every fabric in my stash has been washed, and I'm going to keep it that way.

First, fill the washing machine with cold water. In this case I didn't use any detergent, but if you feel the need to do so, I recommend Quilt Soap. Carefully add the quilt, gently "feeding" it into the machine. On the delicate cycle, let it agitate, occasionally checking under the lid to make sure the quilt isn't getting twisted, and is staying submerged. Then, let the washing machine do it's thing to spin the load, though I didn't let it run the entire spin cycle. Gently, remove the quilt from the washing machine and put it in a laundry basket to carry it to where it can be laid out to dry.

Normally, on a nice day where rain isn't imminent (lately, it's rained nearly every day here in Central Iowa), I'll block the quilt on our back deck, laying one flat bed sheet on the deck, and another flat bed sheet on top of the spread-out quilt, to protect it while it dries. For this large quilt, I moved aside living room furniture, vacuumed (we have a dog), and then laid a large flat sheet on the carpeting. That's where I spread out the quilt.

Trying not to tug on it, I used the palm of my hand to spread out the wet quilt. Since this is a medallion style quilt, I had many reference points - borders - to check that every part was laying on the straight.

I set up a small oscillating fan to dry it. I'm sure it will take a couple days to dry thoroughly with our high humidity and no air-conditioning running.

If you noticed batting showing on the edges, you're correct that I haven't bound the quilt yet. My thoughts are that if you block after you've sewn binding to a quilt, you may also find yourself trying to square a quilt and binding that isn't sewn on straight. 

When it's completely dry, I'll proceed to binding. I have in mind to try a couple new things, based on Sharon Schamber's binding video here. Linda

Monday, June 27, 2011

Winning Weeks

Woo-hoo! I'm on a roll! Where's the nearest place to buy lottery tickets? In the past few weeks I've won two giveaways, and the prizes have been fabric - the best kind of giveaways to win! 

Over the weekend I received an email telling me I won a giveaway through Kool Beenz. My prize is a $25 shopping certificate to the on-line quilt shop, Skye Reve Fabrics. Thanks April and Natasha!

I was the lucky May winner of the "big prize" for the monthly FNSI (Friday Night Sew In - see link at right). From Minnesota, Heidi sent me this book, and two fabric packs - a Moda "Me and My Sister" charm pack, and a Moda "Frolic" mini pack. Thank you, Heidi!

Almost as good as a prize, was receiving fabric for the for the latest MQG challenge. As one of the program-education-swap-challenge co-chairs for our Des Moines Modern Quilt Guild (DMMQG), I'll cut and divide this bundle of eight "earthtone" prints. They're from Free Spirit's "Habitat" collection by Jay McCarroll. At our July 21 DMMQG meeting, fat eighths will be distributed to 13 challenge-takers. We have until September to put together a quilt made only with these Habitat prints, and solids.

Solids! I need more colors of them! Through a favorite on-line store, Marmalade Fabrics, I purchased several Kona solids - khaki, mocha and spice, among others. I also picked up these luscious Anthology prints. For no apparent reason, these days I'm attracted to orange. And when it's paired with gray? Irresistible! Tangerine Kona solid goes fabulously with these.

Marmalade Fabrics also drew me in with these Outside Oslo home dec (canvas-weight) prints for a new bag. While at the eye doctor's office I saw a woman carrying an unusual bag that I quickly sketched. I hope to make my own version. You'll be the first to know when I do!

I'm trying to keep myself from taking off on new projects because my big "Snowflake Medallion" quilt is nearly finished. It just needs blocking, binding and a label. It's been so long since I've had a big finish that I'm looking forward to that luscious and unusual feeling!

Linda

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