The days are long, but the years (weeks, too!) are short.
How is it that while standing still (aka staying at home), each day passes slowly, but when I turn around a week has passed? Some days I feel like I'm simply existing my way through my life, and other days are full of meaning, with focus to achieve small personal goals.
I am reminded of a Bible verse in Psalm 91, a chapter I memorized in April, when we were beginning to settle-in to the ramifications of this pandemic. The last verse, 16 says: With long life will I satisfy him, and show him my salvation. A long life spent at home can still be a life well-lived. So, I continue to engage in activities that make each day worthwhile.
Last Saturday and Sunday I attended, via Zoom, Jenny Hayne's "Twice Cut Drunkard's Path" workshop, along with 23 other people from all over the world. Jenny led the workshop from her home studio in Sheffield, England with students joining in from Finland, Denmark, and US states: Washington, California, Massachusetts, Georgia, and... Florida.
Jenny has a great teaching set-up with three cameras! She primarily speaks to the class from this view. At the center left you can see the trapeze sort of mount that's holding her phone with which she demonstrates cutting and pressing. Another camera is aimed to watch sewing at her machine. All of the views are interchangeable, along with occasional looks at her computer screen with pattern instructions.
This is one of the screens she shared, showing some of the possible quilt layouts of the "Hole Punch Ribbon Quilt" (the one I made) and the "Hole Punch Hoop Quilt."
It sure wasn't the easiest way to go, because I had to be very careful about which direction to cut, but I like the effect an ombré gives. I bought 3 yards, when only 2¼ was called for, and used nearly all of it.
Jenny began by demonstrating cutting and machine piecing, and concluded with how to trim each block. It was the piecing that tested my skills - sewing without using pins to join tight oval curves on 4"-tall blocks.
I'd begun cutting out fabric Saturday morning around 11 am, attended the workshop from 1 to a little after 4 pm, and after eating, continued to work on blocks until 11:30 pm... and that was just to keep up for the next day's lesson! Of course, there was no need to keep up - as Jenny reminded all of us - but that's just how I roll. In fact, some of the students only attended the workshop, and didn't sew at all. That's understandable if your cutting and sewing area aren't in the same room as your computer. In any case, the nice part was that Jenny recorded herself giving the lesson and answering questions, and emailed us the video as reference for later reviewing. It was pretty easy to conclude that she knows what she's doing, and is good at it!
In fact, I've discovered that learning virtually is preferable to learning in-person!
No one has to pack up a sewing machine and supplies (and maybe forget something) to go to a workshop.
All of the students can see, close-up, what the instructor is doing. None of the students have to take turns moving closer to see the teacher's sewing machine demonstration.
Virtual learning is so appealing, it may be the only way I'll want to take future workshops!
This is basically what we made during the workshop: two rows of 7 blocks. It kept me on my toes, keeping the front/back and right/left fabric pieces properly arranged. Besides the ombré background, the only other print I used a Moda Grunge for the white holes inside the ribbon. The remaining four fabrics are solids.
Jenny meant the quilt to be viewed horizontally, but vertical looks good too.
On Monday I completed the 39" X 65" quilt top with my personal addition of two large drunkard's path blocks at the ends of the quilt that give points to the ribbon, rather than blunt ends as in the pattern.
Tuesday I pin-basted. Because I often see quilters pin-basting in regimented rows, I offer a picture of how I prefer to baste: randomly.
Here's why:
Right: An irregular pin layout, and change of pin directions, picks up more warp and weft threads across an expanse of fabric.
Left: A regimented, columns and rows pin layout captures the same warp and weft threads over and over and over, placing more strain in concentrated areas of the fibers.
I was anxious to move onto quilting because Jenny offered some of her collected
Papper, Sax, Sten Pinterest designs as ideas. Since the quilt design is three-dimensional, she pointed us to three-dimensional drawings that illustrate how dense lines create depth, while widely-spaced lines suggest nearness.
I attempted to apply that concept to the "dowel shapes," and "holes" in my quilt. I used a ruler foot for free motion quilting curves, using the side of the foot to eyeball the distance between stitches, and used a straight ruler for quilting vertical lines.
Now I'm considering whether waves of ribbons are doable for the background. I seldom see the whole quilting picture, but rather work quilt designs as I go along.
Other Makes
In quieter moments I've finished the second (orange one) of four chair pads. Yellow or aqua will be next. Crochet continues on my Moorland afghan too, and it's nearing a finish.
Book Recommendation
The Sweetness at the Bottom of the Pie by Alan Bradley is the first in a series of books about Flavia de Luce, a precocious 11 year-old who is unusually adept at chemistry, and figuring out a mystery. It's 1950 and she lives in Buckshaw mansion (England) with her philatilist (stamp-collecting) father and two annoying older sisters. Flavia's adventure begins when a dead bird, with a stamp skewered to its beak, is left on the doorstep. She then overhears her father in a late-night argument with an unknown man, and when she goes into the garden the following morning, she finds a man lying in their cucumber patch, breathing his last breathe. It's then that Flavia takes off on Gladys, her bicycle, to pursue answers - to police questions, and her own.
Linda's score: 4.2/5.0
The story is told in first-person, from Flavia's point of view. I kept reminding myself, she's is only 11 years old! But Flavia is a charming, intelligent girl whose adventures I would like to read about further. The second book is The Weed That Strings the Hangman's Bag. However, as it often happens with my public library, the first book in a series is an audiobook; the rest are in print! Why isn't a series that begins as an audiobook made available entirely as audiobooks? There must be a reason.
Zoom Presenting
It's exciting to me that I'll get to do some Zoom presenting next month! While I won't be "live" as Jenny was, through Powerpoint-type presentations I get to share some of how I do what I do.
On September 15 I'll give a "Quilt Photography" presentation to the Big Cypress Chapter of
Quilting Guild of The Villages, sharing a little of how I take pictures of quilts
On September 19 I'll present "No Tails Binding: Mitered Corners by Machine" to the
South Florida Modern Quilt Guild, sharing the atypical way I add binding to a quilt, machine-join the four corners, and then trim.
I'm very honored to have been invited, and excited about these opportunities because such things give purpose and meaning to long days and short weeks! Linda
Such a Fun Age by Kiley Reid is a thought-provoking story about 25 year-old Emira, a black woman who babysits for a wealthy, white Philadelphia family. She loves Briar, a prickly, quirky, and precocious three year-old. When parents Alix and Peter ask Emira to take Briar out of the house - the police are on their way after a reported egg-throwing incident - Emira finds herself with Briar at an affluent grocery store, confronted by a security guard accusing her of kidnapping. The book continues to reveal the intertwined work and personal lives of Emira and Alix, comparing and contrasting privilege and wealth along racial divides. This was, as the title says, "fun" and engaging.
